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Adrian Manning
CMP Recommends
Concrete
Meat Sheet
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| Concrete Meat Press recommends
the following poets: |
| |
| A D Winans |
|
WOMAN ON THE
BALCONY
I see her two
three times a week
sitting on the balcony
when weather permits
here in old Italy town
in what is left of North Beach
her robe slightly parted
thumbing through the pages of a book
taking no notice of the people down below
standing to stretch, she yawns
legs like sturdy pillars that stretch
to reach the sky into the boundaries
of my mind
my eyes begging to read the pages
she turns with sensual fingers
wanting just one quick look
one intimate journey into the pages
into the space between the
parting of her robe
a journey to forbidden places
a flight back in time
to another place another world
high on a balcony where
I too ignore the
people coming and going
down below
(First published by BARNWOOD PRESS)
|
|
DIGITAL AGE
I told you not to take a
snapshot
I don’t photograph well
But you did nevertheless
And sent it to me by means of attachment
And there it was on the screen
In black and white the only colors that matter
And it split into two parts on the screen
Neither of them doing me justice
An injustice I am sure not intended
This faceless face staring back at me
Smashed into a thousand lines
This snapshot more like an empty face
Stuffed away in a shoebox
In the far corner of a closet
Like a series of quick winks lost
In cyber space
(Previously published in
RATTLESNAKE)
|
| Justin Barrett |
|
LIKE FIREWORKS
poems
are
best when
they
are
over
when
the only
thing
left
are
their ghostly
tendrils
hanging
in
the
darkness
waiting
to be
illuminated by the next
crack
of light
A GOOD MORNING
when i
woke
up this
morning
i saw
your
head on my
chest
your
leg draped
over
mine
and
three arms
of
which
at
least one
was
mine
|
|
Ronald
Baatz
SOMETIMES I AM A HAPPY
POET
Sometimes i am a
happy poet.
Sometimes in my heart a lost and homeless bum.
Sometimes i can see my life as a clear, beautiful
crystal-cold stream, and at other times as
a distorted circle of foul-smelling mud.
Sometimes the joy of my life is unmistakable
and overwhelming, and at other times it is
the sadness and disappointment of a life
unlived and wasted, dark and empty.
Sometimes there is the love of family,
the warmth of friends, the embrace
of a passionate woman.
Sometimes there is nothing
but anxiety and fear and loneliness.
Sometimes there is God.
Sometimes not.
Sometimes i want to live forever.
Sometimes the thought of another day
is intolerable.
Sometimes i wake refreshed from dreams.
Sometimes i wake terrified from what i've seen.
Sometimes there are birds.
Sometimes not a wing
is left in the world.
THOUGHTS ON A SNOWY AFTERNOON IN FEBRUARY
I watch a woman
walking her dog at the park.
I'm sure i have never seen her here before.
It could be this is the first time she has visited
this park, or perhaps she has been here at times
when i was not. No doubt i appear a stranger
to her too. Perhaps to her i look as though i live
in some other town, and i was just out for a drive
and in my travels just wandered upon this park.
She doesn't know i come here daily to watch
trees blossoming in fog, women in bathing suits
down by the lake, men fishing through ice, leaves
beautifully rotting. But since i am a stranger
i'm sure she has few thoughts about me, if any.
The only reason i am thinking about her is because
i'm sitting in front of this blank page and i need
something to write on these endless blue lines.
I'm tired of writing haiku about birds. I picture her
home with her dog. I suspect she is not married
and she sleeps with it. I see the dog patiently
sitting by the side of the bathtub as she soaks herself.
I see her nipples floating on the water, slightly hidden
by soap bubbles. Her nipples have a warm familiarity
to me. Could it be the case that in a another life
i was her dog, and that i stopped living that life
only yesterday and at that point started living this life.
I am not on any kind of drug, it's just that it's freezing out
and i am sitting in this car with the engine idling
and i am writing on this piece of paper and so there must be
these thoughts. Yes, there must be these thoughts
or tomorrow i might return to being her dog all over again.
If i have these thoughts i will remain this person in this life
and, well, at least tomorrow i won't be out there in the cold
on a leash shitting in the snow.
|
|
Owen Roberts
2006
no more resolutions
this year
better to be disappointed
from the start
then wait awhile
MIRROR IN THE BATHROOM
because of the drugs
I stopped looking in mirrors,
this lasted for over 7 years
ashamed
today; clean and sober
I turned on the bathroom light
and just stared at myself...
turns out I wasn’t missing much after all
|
Christopher Cunningham
LAST MEAL OF THE NIGHT
he looks at me with red eyes
thru thick round glasses,
heavy black frames slipping forward
on his human nose.
it is two minutes until closing.
I tell him,
“go ahead man, what do you need?”
the kitchen grumbles, I can feel
anger washing against my neck
in hot tired waves.
he mercifully orders the
easiest thing on the menu.
his will be our last meal of the night.
the cook is fast, throws it
to me and I bag it up.
he reaches out to take it
and asks me my name.
I tell him.
he then reaches out to shake my hand.
“I know you are trying to close
but I really needed this food.
my brother is up the street at the university
and he is probably
going to die
tonight.”
he is still holding my hand and I can see his eyes,
the space beyond his eyes, shielded sort of by
the thick lenses,
grow wider, but not very much.
“thank you for your kindness.”
he drops my hand and is gone.
the hunger we cannot stand to bear alone,
but must.
(Previously published in LAST MEAL OF THE NIGHT – RESTAURANT POEMS - Blue Monk Press)
THIN TONES OF MARCH
we got high
in the front seat of the
car with the heater running
and the
rain coming down slow.
we’d grabbed to-go burritos
and chips
and they were in the back seat
smelling good.
we drank our coffee
and the windows fogged
and we smoked and
listened to the world out there,
the horns, the car doors slamming,
the bass from stereos booming, shaking the pavement
where the water pooled.
the
gas gauge sat at
empty,
but we had some money left
and didn’t care.
we got high
then
went home and ate the to-go mexican.
the rain didn’t last long.
sometimes,
it doesn’t.
(Previously published in HAZMAT REVIEW)
|
|
Karl Koweski
ARCHITECTS
we talk straight lines
and angles creating
personality blueprints
to be unrolled and surveyed
during lulls in construction
searching for structural flaws
before we inhabit each other
(Previously published in CAN’T KILL A MAN BORN TO HANG - Bottle of Smoke Press)
CORNCOB
my wife often asks,
especially after reading
one of my pornographic
stories, how much
truthfully occurred
how much of “me” is in it
I’m tempted to relate
the anecdote concerning
the same question posed
to William Faulkner
by a casting director
in regards to his
novel Sanctuary
Faulkner’s answer –
“Madame, I am the corncob”
of course, my wife
doesn’t even know
who Faulkner is
and...
I’ve never actually
read Sanctuary
(Previously published in CAN’T KILL A MAN BORN TO HANG - Bottle of Smoke Press)
|
|
Glenn Cooper
REAL MEN
the men
who’ve been coming
to Nino’s
bookstore to install our
new
reverse-cycle air conditioning,
are real
men:
they wear
ball caps, smell of cigarettes,
swear like
wharfies, traipse mud
through the
store without
giving it a
second thought.
oozing
testosterone, these men
talk in deep
baritones, play football
on weekends,
have compliant wives
&
girlfriends (usually pregnant)
& are
confident always
in
everything they do & say.
they are the
men
all young
Australian boys
are taught
to grow up to be.
but you know
what? they still can’t
get the damn
air conditioning to work.
WAY OUT BEYOND
i have
fallen out of your
sure and
steady orbit,
i know i
have.
i can tell
by the way i
float so
aimlessly,
drift
through the
days without
meaningful
direction.
and it's
cold out here, so cold.
the
newspapers today
tell me that
scientists have
discovered a
new planet
in our solar
system,
way out
beyond Pluto.
it's easy to
believe.
|
|
K M Dersley
THE WIDE WORLD
comparing prices we decided
we didn’t have three grand
for a home cinema
but a digital projector we got from
eBay
has revolutionized our viewing instead
I never knew Clint Eastwood
had so many freckles
and we practically felt
we were up there sharing the same
saddle
as Eric Fleming.
it’s funny but you can now clearly tell
where his horse’s turds
and those of other nags
have been scraped up from the prairie.
nor did I know before this that Tarzan
swung from such flimsy vines
or that the jungle floor was so far
down.
as for route 66
apart from the car sickness it’s
a marvellous open air education
in monochrome.
Tranmere Grove is linked after all
to Sunset Boulevard.
we’d certainly journey into that screen
to stay and have a life
if we could only find out
how to make the projector
feed itself.
CRITERION
last night as I was
about to leave off
I found out Les the
driver
used to clean
Woolworth’s back in
the ’70s for good
old Criterion
Cleaning
Contractors.
who woulda thought
Les
was one of Ted
Chalkley’s alumni?
I said do you
remember Peter?
tall bloke? said
Les.
no, says I, short
guy with glasses.
his dad died of
psoriasis.
oh yeah, says Les,
I know Peter--
used to push the
scrubbing machine!
we started chinning
about
the old days, when
Sid Mills’
putt-putt bike got
stolen and
abandoned at Diss.
the days of Cyril
with the pink shirt
who put in a full
day at Reavell’s
then worked at
Woolworth’s at night
to pay for his
car.
great days, said
Les
great days? I
thought to myself
… seems to me I was
scared stiff
in those days
even then I only
wanted to get paid
and go home.
while my first
floors that I’d mopped
were still wet
at the very same
time my first poems
were about to get
paid a few quid
from Samphire
(is it any wonder I
dreamed up a life
that never
developed?)
funny, but I’d
never have known
Les’s background
if I hadn’t come
out
with an old
Woolworth’s remark
when he saw how
many boxes
they expected him
to load up:
I quoted Sid
Mills:
WHAT IS NOT DONE
WILL BE LEFT.
|
|
David Barker
SCATTERED
the van is
in the shop
and
the dog is
in the kennel
and the black
berries are on
the vine and
my mom is in
eternity, but
her ashes are in
the bay and
her family is
on the boat.
[Previously published by Bottle of Smoke Press]
SPOOKED
they say this
tavern is haunted,
but, you know,
sitting here, an
old poet among
all these
younger people,
I am probably
the most
haunted thing
around.
[Previously published by Bottle of Smoke Press]
|
|
Keith Gery
Die young
The family reunions
happened
every year in the summer heat,
in a glade with no plumbing
and a shack with a refrigerator..
Memories were dusted off
about
the ones who were gone,
the smiles and the tears,
the good times and the bad,
amid charred hot dogs, cool beer,
and quoits and softball.
Today in the summer heat,
there was another family reunion
of a private nature
as I dusted off headstones,
while thinking of
the ones who were gone,
and the hot dogs,
and the quoits,
and the beer.
As the last one left,
I don't care to know why.
I guess the good ones
really do die young.
(To be published in
DEATH LASTS WAY TOO LONG TO WASTE YOUR WHOLE LIFE
DYING - Water Row Press)
Tissues
She was crying.
I held the phone tighter
wishing I could hold her
as she sobbed.
She left me years ago
for the arms of another man.
And now things
were not well
in paradise.
While she spoke,
I heard the sound of tissues
wiping her eyes
and her nose,
vainly trying to remove
the debris of her sadness.
She left for awhile
to get another tissue,
and then continued the story.
I comforted her as best as I could,
knowing she'd run back to him
when the sun shone again.
And with her tears
running down my face,
I knew I'd only be used
to get her through
this darkness,
and then discarded
like her soiled tissues.
(To be published in
DEATH LASTS WAY TOO LONG TO WASTE YOUR WHOLE LIFE
DYING - Water Row Press) |
|
Hosho McCreesh
& There Is
Triumph As The Matador
Hoists High The Severed Ear-
But Not For Him Or
Any Of Us...
it is the bull who
has won,
though it doesn't
seem
so-
dead & leaking,
the sun
slanting through the
dusty, trampled
afternoon.
It has been carelessly
added
to the comical &
rotting
pile of it
all,
this
earth-
-but added
without the
tedious &
customary
compromise.
They're Feeding The Pigeons In Venice,
& Someone In Amsterdam, In Paris
Is Standing In Front Of A
Van Gogh
Weeping...
because they
understand it,
they understand that there's just
not much
grace
left,
understand that almost everywhere
there is an inescapable ugliness
& that the soul grows tired of its shell,
of being told not to scream
when all it wants to do is
sing, sing of this
miraculous frail misfit
that surrounds it, this
miraculous frail misfit
that stumbles through
hours & decades & drunken midnights,
loveless, wallowing, begging condolence like
scuffed pennies.
We should be sick of desperation,
sick of stagnation, of lifelessness, joylessness,
sick of all that is left to plague & pitter,
all those content to just
dangle about like
spiders & cheap
earrings.
Amidst all we push around & carry,
all we imagine & invent,
all we kill ourselves to garner,
this remains
the only
crux:
There, once again,
begins the
snow-
-though the
clean
living
through it
is
all.
(Previously published in FIRE) |
|
Luis C. Berriozabal
IN THE
HOUSE OF THE BUTTERFLIES
In the house of the
butterflies
Death arrives
The cadaver opens its
mouth
Threads of blood
Spring out like a red-colored
Rainbow
Gold feathered birds
disappear
In between
The fire, smoke, and dust
left by death's
Thin hand
The indigenous writings
Destroyed
The beautiful flowers
appropriated
By death
The walls stained blood
red,
The hair and
Feet of the Indians,
pulled
And burnt
Only their song survives
amongst
The ruins
The stones keep the
memory of
The dead
The ones that planted the
seeds in these
Confiscated fields
(From RAW MATERIALS –
Pygmy Forest Press)
IN THE
GREEN ONION FIELDS
In the green onion fields
Children too poor to go
to school
Get their education
Work under the sun
Dirt on their faces
Dirt in their fingernails
Dirt on their clothes
The schooling is harsh
Their wages are low
The employer gets rich
Sends his kids to private
school
Clean clothes, new shoes
Clean faces, clean
fingernails
Take every diced onion
Out of their scrambled
eggs
(From RAW MATERIALS – Pygmy Forest Press)
|
|
John Dorsey
LIBRARY FINES
dressed as ghosts
our fines paid in
karma the book of
the dead checked out after
each of us were
reborn as spirit animals
is
overdue
we break bread spend
our lives talking about
death singing his folksong
to an unchained melody
and call it prayer
once in pittsburgh i
wrote a poem about
sunset
i was a child
ghost blowing a kiss
to a blackhole beaming
smalltown pride that was
death checking his watch
for
miracles
THE HOLY MISSION OF
RUSSELL VIDRICK
drunk on words i
walk down the street
thinking russ doesn't look
like much of a
knight not even in
the style of don
quixote it's raining while
he tightly holds on
to bree's library card
as if it were
the holy grail more
intent on purpose than
crusade he has a
lost sad look in
his eyes once they
dreamt of proust james
joyce wonka bars with
golden tickets 1960's surf
music and steamy nights
turned to
noir
peering up at the
sky you can just
tell he is looking
for the words to
find himself again as
if they were written
in the
stars
|
|
Don Winter
SONG FOR SOMEONE GONE AWAY
You have seen
those who’ve begun
to ghost
their lives. You see them hunched
in grocery
lines or on the bus.
They have
grins lost somewhere
in the folds
of their tweed
faces, with
fences of their teeth
broken and
leaning. They have no
pocket charms
against their
oblivion and
they
are not going
to cry about it.
Maybe they
have invited
sadness as a
shield against
despair. Like
old dogs they
hobble home,
push and pull the sheets,
knead and
scrape until the have them right,
then drop
down and breath out
deeply.
(Previously
published in ARSENIC LOBSTER)
THE TACOMA TAVERN
is drunk with
rain.
And our
tables are careless
with empty
bottles, cigarette ash.
And we run
our fevers
up over a
hundred
arm wrestling
our motorcycle buddies,
drinking
pitchers on one breath
for a dollar.
And we try to drink enough
to lose our
names.
And we make
up stories to fit
the bad
things, by turns hero and victim.
And the
waitress acts vaguely in love
with each
man. And the need for touch
is a
razor-toting, cuss-tongued bad ass.
And the best
sex rises from vacancies:
divorces,
failed jobs, incarcerations.
And the
closing time door flings open
like a
warrant.
And the land
tears away from us
and slides
off the horizons.
(Previously
published in PLAINSONGS)
|
|
Kenneth Hickey
WILD CAMPING
Woke with a hammer head ache,
in my father’s camper van,
at the centre of Listowel’s
large square.
Arc eye itching.
Turned my head away,
listened to the Kerry rain’s
pitter patter
on the cold tin roof.
No sign of cats.
My mother’s voice
saying she wakes up tired.
And knew what she meant.
Neck sore from where I forgot
the pillow,
Remembering the sleeping bag was
hard enough.
My nadir almost complete.
The chemical toilet worked hard
with three adults reviving to
the grey morning.
Dreamt of us as Ovid’s slaves,
Beloved,
and wished the world away.
A wild camping recluse.
Skipped breakfast and headed for
Tralee,
The rain
rushing to meet me from the reeks.
MARMALADE
The little kitten we got
together
Free ads in the evening paper,
Every tumbling Tuesday,
Is lame limping.
Not eating her expensive gourmet
cat food,
The half water, half milk mix
untasted.
Weaning can be a bitch.
The vaccination alone was thirty
quid.
Must have leapt blind
from too high a height.
Fell.
Damaged.
Taken too much of a risk.
The heady days,
Early rushing round rooms rapid,
A memory.
So now the coldness between us
sits on an animal’s shoulders.
Marmalade’s demise an omen
maybe,
For more pressing,
Disquieting,
Mishaps.
|
|
Bradley Mason Hamlin
TIME IS ONLY TICKING CAUSE YOU TELL IT TOO
Sometimes
you
are
trapped
within
the
poem
maybe
you
want
to
write
another novel
go
ski drunk
on
white hills of powder
that
look like cocaine nirvana
or
make your cavegirl have
a
cave scratching orgasm
right
now …
but
the gods
only
give
you
this.
ZEN
IN THE ART OF JAZZ
Drinking
Jack
Daniels
straight from glass
to
lips
no
water or ice to crack
the
flavor
and I
must admit
I am
in love
with
this American whiskey
not
bourbon
a
purity …
only
found between the legs
of
your lover
if you
really love her
and in
the hands
and
heart
of a
lone jazz musician
in the
embrace
of
instrument.
|
|
Henry Denander
7 AM
AT THE ZEUS HOTEL
Because of a
long swim in the sun yesterday and
a
three-hour long siesta in the afternoon, I wake up
before 7 AM
this morning.
I sneak out of the room and take a table at the front
of the hotel, overlooking the beach. No one else is
around, no guests, only Paris Theodorakidis and
his dog Astero.
Paris gets me a cup of coffee and Astero leans her
head on my leg. The small city of Tolo starts to
wake up, there are deliveries of Loutraki water,
fish, fruit and vegetables. Some early swimmers
are heading down to the beach.
After a while Paris gives me an omelet and some
bread.
I have my notebook and the book on Mycenae, I
drink coffee, pat the dog and write some stuff in
my notebook.
Stuff like this.
(Previously
published in WEEKS LIKE THIS - Bottle of Smoke Press)
THE SALMON IN THE SKY AND HOW EVERYTHING
HAPPENED
No
one died but a few people were injured and it was
a
miracle that it didn’t end in a disaster since Stockholm was
filled with hundreds of thousands of people. It was
The Water Festival and there were crowds of people
everywhere; on bridges, on the islands and
all over the city.
Strangely enough, someone‘s brainless idea of showing the
newest Swedish fighter jet and flying it over Stockholm had
somehow been approved.
I
stayed at home since I hated the crowds but when I heard
the loud noise from the plane’s engine I walked out on the
balcony and saw a very impressive JAS 32 fly over
our house.
Then when the plane disappeared over the roofs of the
houses on the other side of the street suddenly
everything turned quiet. When I looked up I glimpsed
the plane turning up towards the sky and after the
engine stopped everything was so quiet, as
though
the whole city had just stopped and everyone was
waiting
for the plane to crash.
It
was more than ten years ago and the feeling of someone
just turning off the sound of the city,
and the plane in the sky,
like a small salmon in a rushing water, showing it’s
belly
and struggling in the sun,
that’s what I remember.
(Previously published in WEEKS LIKE THIS - Bottle of
Smoke Press)
|
|
James Quinton
FLAMES
hypnotic
wisps of
orange
dance in
the air
slivers
of
heat rising
on the
wind
hands
held out
the dark
of the night
dissolves
my eyes
transfixed
my thoughts
wander
as I
watch
the
flames
DEAD EYES AND SNATCHES
claustrophobic
tiny
space
lowered ceiling
dim
li | |